![]() ![]() Marr and Porter decided to add a tremolo effect to the guitar part. Despite only doing a few takes, they had filled an entire reel of tape, as one had gone on for 15 minutes. ![]() Marr was able to keep the F ♯ chord going for as long as 16 bars at a time. Porter recorded the first takes with microphones set up at varying distances from the band to better create a "swampy" mood. "We used to smoke dope from when we got out of bed to when we got back to bed", recalls Porter, and Marr concurred: "You're from Manchester, you smoke weed till it comes out of your ears." Joyce said the band even replaced the studio's light bulbs with red ones for ambience. They recall the session as being accompanied by heavy marijuana use. During the jam, Marr worked on his chord progression for "Swamp", which inspired the arrangement. Their discussion turned to the early recordings of Elvis Presley, which led to an impromptu jam session of the song " That's All Right". After a night out celebrating the session for "William, It Was Really Nothing" and "Please Please Please Let Me Get What I Want", the trio had reconvened the following afternoon to record what became "How Soon Is Now?" Porter was impressed by the basic riff Marr showed him, but felt the song needed something else. ![]() Marr recorded the song with bandmates Andy Rourke and Mike Joyce that July at London's Jam Studios. In contrast to the frequent chord changes he had employed in most Smiths' songs, Marr wanted to explore building a song around a single chord (in this case, F ♯) as much as possible, which also appealed to producer John Porter. Smiths guitarist Johnny Marr wrote "How Soon Is Now?" along with " William, It Was Really Nothing" and " Please, Please, Please, Let Me Get What I Want" during a four-day period at Earl's Court in London in June 1984.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |